Printmaking
Print Portfolio
Indigo’s printmaking portfolio extends back more than a decade, and covers almost every technique. The majority of their work between 2010 and 2016 specifically was based in fine arts printing processes.
Indigo prefers experimental techniques that produce chaotic results. Their specific interest in lithography came from how many materials can be used in creation of images, and how many mark-making techniques are hard to control and have unpredictable outcomes.
They have a soft spot for Aluminum Plate Photolithography.
Principles of Individuation
This piece was created as a custom-sized installation for a window of Tapp's Arts Center. The piece is created from collaged intaglio prints.
This piece was Indigo’s final creation before leaving South Carolina. It discusses the development of personal identity and how a cohesive whole can be stitched together between mimicry, taste, experience, and decisions about who you want and, more importantly do not want to be.
Identity FOR CMA
The Identity pieces were a series of serigraphs created in summer of 2015 as part of a collaborative project for the Columbia Museum of Art. The identity show, displayed in conjunction with the Andy Warhol show, was meant to explore how identity is expressed in our community. We chose five diverse figures from the arts community in Columbia, South Carolina, and created Warhol-inspired portraits of them. Design and Printing were done mainly by Indigo Null, Kyle Alston, and Kaitlyn Shealy. Frol Boundin, Mary Robinson, and Alejandro Garcia-Lemos were also consulted for these works.